Alan Shockley (1970-2020) held residencies at MacDowell, the Atlantic Center, the Virginia Center for the Arts, Italy’s Centro Studi Ligure, and France’s Centre d’Art Marnay Art Centre (CAMAC), among others, and received grants from the American Music Center, Pittsburgh ProArts, the Mellon, and the Heinz Foundations.
His works have been performed at the International Society of Bassists Convention, the Composers Concordance Festival, Electronic Music Midwest, the American Choral Directors Association Conference, the Spark, U3, Montecito, and Frontiera festivals, and at the American Academy in Rome, the University of Cape Town, the Fondation des États-Unis in Paris, the Los Angeles County Museum of Art, New York City’s Merkin Hall, Columbia University’s Miller Theater, and other locations around the globe, including performances in Berlin, Sydney, Stellenbosch, Oxford, Montreal, Maribor, Munich, Bucharest, Essen, Toronto, and Amsterdam, among many others.
His electronic works have been installed in Jack Straw Studio’s New Media Gallery in Seattle, Minneapolis’ Weisman Art Museum, as part of the International Computer Music Conference, and in Brooklyn’s VertexList Gallery, as well as in other venues across both North America and Europe.