Discipline: Music Composition

Arthur Levering

Discipline: Music Composition
Region: Cambridge, MA
MacDowell Fellowships: 1990, 1991, 1992, 1994, 1995, 1996

Composer Arthur Levering has received many awards for his work, including the Rome Prize, the Heckscher Foundation Composition Prize, the Lee Ettelson Composer's Award, commissions from the Fromm Foundation and the Barlow Endowment, as well as fellowships from the Guggenheim Foundation, the National Endowment for the Arts, MacDowell, and Yaddo. He has been commissioned by various ensembles, including the Boston Modern Orchestra Project, Boston Musica Viva, the New Juilliard Ensemble, the Dinosaur Annex Music Ensemble, Sequitur, Musica d'Oggi (Italy), and the Rascher Saxophone Quartet (Germany). His music has also been performed by such prominent groups as the Chamber Music Society of Lincoln Center, the League of Composers/ISCM, Voices of Change, NewEar, and Lontano, among others, and it has been featured at concerts and festivals in Britain, France, Italy, Germany, and Switzerland. Compact disks of his work include School of Velocity (CRI) ("the best debut album by an American composer I've heard this year"—Robert Carl, Fanfare, July/August, 1999), Still Raining, Still Dreaming (New World), and Parallel Universe (New World). A work for viola and piano, Tesserae, is included in Americans in Rome, Music by Fellows of the American Academy in Rome, on the Bridge label.

During his MacDowell residencies, Levering worked on School of Velocity (piano), Time’s Arrow (orchestra), and Still Raining, Still Dreaming (six players).

Portrait by Janice Crotty

Studios

Sprague-Smith

Arthur Levering worked in the Sprague-Smith studio.

In January of 1976, the original Sprague-Smith Studio — built in 1915–1916 and funded by music students of Mrs. Charles Sprague-Smith of the Veltin School — was destroyed by fire. Redesigned by William Gnade, Sr., a Peterborough builder, the fieldstone structure was rebuilt the same year from the foundation up, reusing the original fieldstone. A few…

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