Carine Doumit’s work revolves around the intrinsic relations between writing and film editing. She writes and edits films, videos, installations, and performances shown in international festivals and exhibition spaces. She writes short texts and short stories showcased in galleries and exhibition spaces, and published in specialized magazines and art forums.
She shares her exploration of film editing as a writing tool with peers and students through workshops and conferences (Raw Academy, Ashkal Alwan, Wekalet Behna, Gabès Cinéma Fen, and others). She was a fellow resident at Arsenal Archives, Die Akademie der Kunst der Welt, Beirut Art Center, Providenza Fabrica Culturale, MacDowell, and Bogliasco Center. She is a member of The Camelia Committee | مجموعة في الكاميليا with Mira Adoumier & Nour Ouayda. Together, they have produced, among other films, the award-winning short The Secret Garden, as well as the collective exhibition At the Edge of the Forest, a Garden, and the live performance one sea, three seas.
She is currently collaborating with artist Sofía Velázquez (Peru) on the film project/ performance Solas y Juntas, and the children's story La montagne qui en cachait une autre (et une autre) | La montaña que escondía a una otra (y una otra mas).
