Discipline: Music Composition

Ezra Sims

Discipline: Music Composition
Region: Cambridge, MA
MacDowell Fellowships: 1966
Ezra Sims (1928—2015) was one of the pioneers in the field of microtonal composition. He invented a system of notation that was adopted by many microtonal composers after him, including Joseph Maneri. His professional debut (12 note ET music) occurred on a Composers Forum program in New York, 1959. In 1960, compelled by his ear, he began writing microtonal music, and continued to do so for the rest of his life, with the occasional exception being taped music for dancers. His last composition in quarter tones (his sixth microtonal one) was his Third Quartet (1962). Since 1971, his compositions that were not purely electronic employed a system of asymmetrical modes of 18 pitches per octave, drawn from a 72-note division of the octave. He has received a Guggenheim Fellowship, a Koussevitsky commission, and an American Academy of Arts & Letters Award, as well as numerous commissions from organizations like the Arizona Friends of Chamber Music and private individuals.

Studios

Sprague-Smith

Ezra Sims worked in the Sprague-Smith studio.

In January of 1976, the original Sprague-Smith Studio — built in 1915–1916 and funded by music students of Mrs. Charles Sprague-Smith of the Veltin School — was destroyed by fire. Redesigned by William Gnade, Sr., a Peterborough builder, the fieldstone structure was rebuilt the same year from the foundation up, reusing the original fieldstone. A few…

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