Honor Moore’s most recent book is The Bishop’s Daughter, a memoir, a finalist for the National Book Critics Circle Award and a Los Angeles Times Favorite Book of the Year and her most recent collection of poems, Red Shoes. Her work has appeared in The New Yorker, The Paris Review, The American Scholar, Salmagundi, The New Republic, Freeman’s and many other journals and anthologies. For the Library of America, she edited Amy Lowell: Selected Poems and Poems from the Women’s Movement, an Oprah summer readings pick which is featured in the current documentary about American feminism, “She’s Beautiful When She’s Angry.” She has been poet in residence at Wesleyan and the University of Richmond, visiting professor at the Columbia School of the Arts and three times the Visiting Distinguished Writer in the Nonfiction Writing Program at the University of Iowa. When she was still in her twenties, Mourning Pictures, her play in poetry about her mother’s death, was produced on Broadway and won her a fellowship from the New York State Council on the Arts. The White Blackbird, A Life of the Painter Margarett Sargent by Her Granddaughter, published in 1996 and just reissued, was a New York Times Notable Book. At MacDowell in 2017, she worked on a memoir of her mother, the third of her family books. Additionally, Moore worked on a collection of poems, Q&A – the title poem appeared in POETRY (February 2016). She lives and writes in New York where she is on the graduate writing faculty of the New School.
Honor Moore
Studios
Veltin
Honor Moore worked in the Veltin studio.
Veltin Studio was donated by alumni of the Veltin School, a school for girls in New York with a highly respected visual arts department. As the plaque just outside the entrance attests, this studio was used by poet Edwin Arlington Robinson during most of the 24 summers he spent at MacDowell. Perhaps most famously, Thornton Wilder put the finishing…