Marsha Ginsberg has worked on Will Pomerantz: wAve, Ma-Yi Theater, New York; Lascivious Something, Women’s Project/Cherry Lane; Habit, Watermill Center; and the Obie Award-winning Telephone, Foundry Theater. Internationally, she has worked at the Bleak House, Bauhaus Festival, Theaterhaus Jena; Kafeneion, Athens/Epidaurus Festival; Knock-Out (Thalia Theater, Hamburg, Theaterhaus Jena. Her opera credits include Ariadne auf Naxos, Opera National de Bordeaux; Phaeton, Saarlindishes Staatstheater; Proserpina (sets/costumes), Spoleto Festival USA; Don Pasquale, Nationaltheater Weimar; Die Entfuhrung aus dem Serail, Theater Basel; Imeneo, Glimmerglass Opera; La Finta Giardinera, Rita, Pauvre Matelot, San Francisco Opera; Elektra, Bluebeard’s Castle, Long Beach Opera; Carmen, Nationaltheater Mannheim; In Mahler’s Shadow, Eos Orchestra.
She has received grants and awards from NEA/TCG Early Career Design Fellowship and MacDowell. She has taught at the Buhnenbild Szenischer Raum, TU, Berlin and the School of Constructed Environments, Parsons, NYC. Ginsberg has an M.F.A. from NYU Tisch School of the Arts, Visual Arts at Whitney Independent Study Program, and a B.F.A. from Cooper Union.
