Discipline: Music Composition

Nicolai Berezowsky

Discipline: Music Composition
MacDowell Fellowships: 1951
Nicolai Tikhonovich Berezowsky (1900–1953) was a Russian-born American violinist and composer. He graduated from the Imperial Capella with honors when he was sixteen. He later served as musical director of the School of Modern Art in Moscow and as first violinist at the Moscow Grand Opera. In 1922, he made a harrowing escape from the Soviet Union in disguise, only to be arrested in Poland, but was released by an official who remembered hearing him perform. Once settled in New York, Berezowsky attended the Juilliard School of Music, studying under Paul Kochanski and Rubin Goldmark. He was first violinist with the New York Philharmonic for the first seven years of his U.S. residence. He played in the Coolidge String Quartet from 1935-1940. He was a protégé of Serge Koussevitzky, who premiered his symphonies to great acclaim. He married Alice Newman, a notable pianist, who later published a memoir, Duet with Nicky about their early years together. Among Berezowsky's works are an opera, Prince Batrak, four symphonies, concertos for harp, violin and cello, and many diverse works of chamber music. His recordings include an LP set of Mussorgsky's Boris Godunov, which he conducted. He enjoyed a great success with his children's opera Babar, and his oratorio Gilgamesh. His Concerto for Harp was commissioned by Edna Phillips, who gave the premiere with the Philadelphia Orchestra, and performed by Carlos Salzedo with the National Orchestra Association under Leon Barzin with an original cadenza by Salzedo, included in the edition published by Theodore Presser. It was not performed again until performances by Saul Davis Zlatkovski in recital and with the St. Paul J.C.C. Symphony Orchestra under James Riccardo in 1990.

Studios

Chapman

Nicolai Berezowsky worked in the Chapman studio.

Chapman Studio was funded by Mrs. Alice Woodrough Chapman in memory of her husband, composer George Alexander Chapman. Symmetrically massed, the building is stuccoed on the exterior with a natural, unpainted cement. Its unusual half-timbered ornament consists of slender, knotty spruce poles painted a dark green color. A central, peak-roofed entrance porch appears on the north side…

Learn more