Discipline: Music Composition

Tim Berne

Discipline: Music Composition
Region: Brooklyn, NY
MacDowell Fellowships: 1990
Tim Berne is an American jazz saxophonist and composer. Although Berne was a music fan, he had no interest in playing a musical instrument until he was in college, when he purchased an alto saxophone. He was more interested in rhythm and blues music — Stax records and Aretha Franklin especially — until he heard Julius Hemphill's 1972 recording Dogon A.D. Hemphill was known for his integration of soul music and funk with free jazz. After moving to New York City in 1974, Berne took lessons from Hemphill and later recorded with him. Acclaim for the first, eponymous ECM album from Berne’s quartet Snakeoil came from far and wide, with The Guardian calling it “an object lesson in balancing composition, improvisation and the tonal resources of an acoustic band.” With the release of his second ECM album, Shadow Man, All About Jazz affirmed Snakeoil as “Berne’s most impressively cohesive group yet.” You’ve Been Watching Me, saw Berne leading a quintet version of Snakeoil, adding guitarist Ryan Ferreira to the core group with Matt Mitchell, Oscar Noriega, and Ches Smith. Since learning at the elbow of St. Louis master Julius Hemphill in the ’70s, the Syracuse, New York-born Berne has built an expansive discography as a leader. In his pace-setting ensembles over the past few decades, he has worked with a who’s who of improvisers, including Joey Baron, Django Bates, Jim Black, Nels Cline, Mark Dresser, Marc Ducret, Michael Formanek, Drew Gress, Ethan Iverson, Dave King, Herb Robertson, Chris Speed, Steve Swell, Bobby Previte, Hank Roberts, Tom Rainey, and Craig Taborn. As a sideman, Berne has made ECM appearances on recent albums by Formanek (The Rub and Spare Change; Small Places) and David Torn (prezens).

Studios

MacDowell

Tim Berne worked in the MacDowell studio.

Built in 1912, Pine Studio was renamed MacDowell Studio in 1943 in recognition of support from a group of Edward MacDowell’s music students. It was built as a composers’ studio and the stuccoed walls were intended to be soundproof. Like many of the studios on property, MacDowell was winterized in the 1950s when the program began welcoming…

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