REMAINDERS

This yearlong exhibition in public spaces around the Clark examines Erin Shirreff’s practice—between analog and digital media, two and three dimensions, and still and moving images—and its fascination with the mythmaking behind art history. Through photographic manipulations of sculptures found in books, and ones of her own making, Shirreff asks what is left of the original experience of an artwork once it has entered the historical record, and what traces of an artist’s labor might still be legible after the fact.